Design Spirit Of New Youth After 80 And 90

< p > "fashion needs a dictator".

In the late nineteenth Century and early twentieth Century, Paul Poiret, the brilliant designer of fashion design, had made such bold remarks. He overcame the long-term monopoly of women's corsets to control a target= "_blank" href= "//www.sjfzxm.com/" and "clothing /a" with the ability of withering away. He hoped that he would not humiliate her fate and establish a new fashion dictatorship ICON. "Paul"

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"P", replacing autocracy with "dictatorship", is increasingly paradoxical in the fashion world. 100 years later, such paradox is gradually evolving into an out and out fallacy.

The fashionable spirit of democracy wantonly flows on the fashion T stage around the world, wantonly flows in the streets of the public, and everyone can create fashion. Anyone can rewrite fashion, anyone who can subvert fashion, and the fashionable oligarchy is falling apart in varying degrees.

And there are a lot of young people who have participated in this reform, such as "academics" educational background, daring to challenge, interesting, crazy, complacent, full of fantastic ideas and energetic.

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< p > above the T stage of the first college fashion week, this young group has the most concentrated appearance rate.

The focus of the glowing lamp will be the temptation and stimulation for these green and unshyness students, a target= "_blank" href= "//www.sjfzxm.com/" > designer /a.

And they are also worthy of a professional platform for their busy running and moving to the masses. If the a target= "_blank" href= "//www.sjfzxm.com/" in 80s and 90s, the designer and the pioneers of the Chinese fashion industry, then these 80 post-90s designers will become the pioneers and pioneers of the most stylish spirit and symbolic significance of China's fashion industry.

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< p > - they are "Prosumer". They are the active factors of the producers and consumers in the fashion industry.

The professionalism of academics enables them to go deep into the fashion trend of bone marrow and complete the unintended interpretation.

They are also the most sensitive consumers in the fashion industry because they are very discriminative and selective in the new active substances in the fashionable soil.

The interweaving and collision of two identities allows them to have more experience and to refine more valuable designs from multi-dimensional interactive experience.

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< p > strong > this is the grace bestowed on them by the open era.

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< p > - they are "Contradiction". On the T stage, the spirit of idealists is coming. Their works reveal a certain kind of "marching man" flavor, and they are not so old as the designers who are often fearful of the sales curve and the boss's face. Instead, they withdraw from their lives and preserve their pure way of expression and existence in their free time.

However, the contradiction with this kind of purity is that they often fall into some kind of mysterious complex concepts, exert themselves too much, over elaborate, blindly show off their skills, and gradually lose their respect for the market and reality.

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< p > < strong > this is the privilege granted to them by college time.

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< p > in fact, the important thing is to live up to grace.

For privilege, it is important not to overuse it.

Finding this balance point is not easy for mature designers, and it is even more difficult for young designers of academics.

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< p > when it comes to "how to balance", it is too irresponsible to add a "no solution" comment.

At this time, the writer's wooden heart has 42 strikes: "the best state of life is cold and clear.

The so-called idealism means patience.

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< p > -- for these newly designed young people who are rising in Colleges and universities, they should understand their clear attitude and realization path to design, not just to show off their skills, but to surpass them. They should not add to the subtraction, and do not deliberately alienate the mainstream fashion reference system and maintain awe. It is the sober cold and rational patience. < /p >

< p > and the wind and fire can not be lost. When the design loses the tension of imagination, the curiosity that falls to the ground, the pressure that does not fear the media to pour cold water, and the courage and enthusiasm to express its independent thinking, then the designer will eventually be designed only to follow the arrogant "masters" behind, yes, silent.

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< p > this is also the responsibility entrusted to them by the mission age. The exception was Mark, who was once an obscure girl in the Department of Arts and crafts of Suzhou Silk Institute of technology. Now, however, her design works became the first local cultural symbol to ignite "Li Yuan Style" at the moment when the plane landed.

It is self-evident that she has come all the way from the cold to the cold.

For young academics designers, if they really know themselves, they will have less self pity and more independent attitude. The individual design life and even the fate of a design group will produce infinite possibilities.

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